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Madlib - Beat Konducta Vol. 1-2 [CD]


Beat Konducta Vol. 1-2

CD / Nowy


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CD1 01. The Comeback (Madlib)
CD1 02. Payback (Gotta)
CD1 03. Face The Sun (Africa)
CD1 04. Open (Space)
CD1 05. Tape Hiss (Dirty)
CD1 06. Sir Bang (Bounce)
CD1 07. Third Ear (More)
CD1 08. Stax (Strings)
CD1 09. Electric Company (Voltage-Watts)
CD1 10. Left On Silverlake (Ride)
CD1 11. Painted Pictures (Art)
CD1 12. Gold Jungle (Tribe)
CD1 13. Offbeat (Groove)
CD1 14. Pyramids (Change)
CD1 15. Eternal Broadcaster (Authentic)
CD1 16. Spanish Bells (High Dreams)
CD2 01. The Rock (Humps)
CD2 02. Box Top (Cardboard Dues)
CD2 03. West Zone (Coastin)
CD2 04. Filthy (Untouched)
CD2 05. Friends (Foes)
CD2 06. Toe Fat (Ghettozone)
CD2 07. Money Hugger (Gold Diggin)
CD2 08. The Comeup (Come Down)
CD2 09. Two Timer (The Pimp)
CD2 10. Chopstyle (Suey Blast)
CD2 11. Black Mozart (Opus II)
CD2 12. Understanding (Comprehension)
CD2 13. Snake Charmer (Heads Up)
CD2 14. Old Age (Youngblood)
CD2 15. Fukwitus (The Eights)
CD2 6. African Walk (Zamunda)
CD2 17. Whutkanido (Can Do It)
CD2 18. The Forest (Greens)
CD2 19. Outerlimit (Space Ho)
Opis produktu

The Stranger April 06,
Mosi Reeves

Issued under the guise Beat Konducta (one of many pseudonyms used by California hiphop producer Madlib), Vol. 1–2: Movie Scenes first appeared last year in two volumes as a vinyl-only release. Ironically, it's being issued as a CD two months after the late Jay Dee's instrumental album, Donuts, hit stores. Movie Scenes is an accurate description: There are 35 instrumental songs that run between one and three minutes (most of Madlib's songs, whether cinematic or not, are pretty short) are randomly sequenced, and aren't intended for any movie hitting a theater near you, but they could be a soundtrack for a film in your mind.

Sonically, Movie Scenes finds Madlib experimenting with new production styles, from chopping up different segments of the same record, and then imaginatively rearranging the parts ("The Rock," "Outerlimit"); to creating long, looped tapestries of flavorful samples (the psychedelic "Left on Silverlake," which is reminiscent of frequent Alfred Hitchcock soundtracker Bernard Herrmann). Jay Dee's influence is keenly felt on a few of the tracks, particularly the dark and sinuous "Offbeat."

Overall, Movie Scenes is uniformly excellent, even if Madlib leaves few clues to allow listeners to apprehend a strong impression of what it's all supposed to mean. All that ties them together are multiple vocal snippets such as one of Method Man snarling, "I wasn't really feeling my shit, but all of a sudden I was feeling my shit."

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