Skepta produced eight of the twelve tracks himself, and they have the same roughly hewn power of his early instrumentals, measured but fiery stews of dancehall, jungle, UK funky, and garage. When it works, it's bone-rattling stuff. Elsewhere, it's a mixed bag, sonically and qualitatively: He caricatures Noah “40” Shebib’s rose-quartz soul on “Ladies Hit Squad;” “Crime Riddim,” produced by Blaikie and Skepta’s brother Jason, has the wild flair of a Death Grips track; and “Numbers” (featuring and co-produced by Pharrell) fails to shoehorn Skepta into Pharrell's bubbly funk universe.